Platform 17 / Documentation and Feedback

Platform 17 has now finished. It was open for 1 week at Sheffield’s Millennium Galleries; 28th March – 1st April. The exhibition consisted of 21 artists from Sheffield Hallam University, presenting work along the theme of Movement and Motion.

Below are photos of the exhibition:


The Opening Night was on March 27th, where invited guests, friends and family attended a private view of the exhibition at night. This was really great and I really enjoyed seeing people interact with my work.


I also invigilated the exhibition on March 30th, 10am – 1:30pm, and this gave me a chance to see the public interact with my work, and see people interact with other works. As the millennium galleries is a popular space, we had over 270 visitors in this short time alone.


Overall, Platform 17 has been a fantastic experience, displaying my work in the Millennium Galleries is a huge achievement for me, and I’m really proud that I pushed myself to do it and that I was a part of such a brilliant exhibition.

I received some great feedback from my work, and doing this has given myself and my work a lot of confidence. I have learnt a lot from doing this exhibition, which has given me more drive for degree show in a few months. I’m so grateful to have been a part of this brilliant opportunity.


All photos are my own.


Platform 17 / Installation

Installation of Platform 17 began yesterday (26th March) and finished today (27th March). The first day of installing was mainly focusing on curation, with help from Bank Street Arts in Sheffield.

Millennium Gallery, Cadman Room – before installation

For curation, the large free standing works were put in place first, then plinths and site specific works were set and finally wall based work was placed. My piece was very simple to hang, and I asked to be placed so the viewer needs to walk up to it and luckily I got the exact position.  After being informed of where everyone was placed, installation began.


My piece required very little effort and I was able to hang it myself; measuring the central point of the wall and the correct gallery eye height (160cm from the floor – the centre of the piece hangs at this height). I then used self adhesive magnets on the wall, placed my print on top and finally placing my hand painted black magnets over the print.

After hanging my own piece, it was then a case of helping other artists hang their works. Being on an art course, you are taught how to install and hang your own work, so after leaving the degree you are self – sufficient. The skills I’ve learnt from hanging my own work and installing exhibitions came into practice again with Platform 17 when installing other works.

Photos taken whilst installing the exhibition:

Overall, the installation of Platform 17 went smoothly and was very quick. All works are hung professionally, the placement of each piece brings out the best in the works and the exhibition looks great. Having curatorial input from Bank Street Arts was great; learning how they curate shows in their space and applying it to the Millennium Galleries was interesting, it was a good opportunity to work alongside another gallery in Sheffield and share curatorial input.

View from the Cherry Picker


All images are my own.

Platform 17 / Poster

The annual Platform exhibition held by Sheffield Hallam’s Arts and Culture Students Union was open for proposals again in January this year, with the theme of Movement and Motion. All applicants submitted a proposal of a 400 word statement and  an image of their selected artwork, which if successful would be exhibited in the Platform 17 exhibition in March 2017 at Sheffield’s Millennium Galleries.

My Mind - 2017

Since seeing the exhibition last year, I was excited to see that the theme of this years show,Movement and Motion, related to my work. I submitted a proposal of one of my cone prints, that I had previously exhibited in Fringe Aesthetics, titled ‘Where is my mind?‘. I was delighted to find out that my artwork was successful, and my cone print titled ‘My Mind’ (above image) will be exhibited in the Millennium Gallery for 1 week.

This is such a fantastic opportunity for me; to exhibit my work in such a popular gallery and widen my audience with it. I’m so pleased that my piece was selected by a committee, amongst many, many applicants. I am really proud to have accomplished this, especially as it is so soon after my previous exhibition last month.

Below is the poster for PLATFORM 17, it is open from 28th March – 1st April, opening night on 27th March:


We were given a copy of the leaflet, prior the exhibition and below is my statement, giving context to my work:

ULTRA / Documentation and feedback

On March 1st and 2nd, myself and 4 other artist’s displayed work at Bloc Projects in Sheffield in a show titled, ULTRA. All the works have the mutual theme of the colour blue, yet are all individual to the artist and differing in contexts.


The show was only open for two days, but we had many visitors, more than we were expecting from a show that was only advertised through our studios. We had all positive feedback from our peers, people who came in from the public and our tutors.

Below are photo’s i took of each artists work:

As a group of 5 artists, this will be our third group exhibition and I believe it to be our best. The artwork, our team work and our skills improve with each show and this is also noticed by our tutors and peers. This has been a great experience, and it was new to all work to a theme, i think having the theme of the colour blue brought new thoughts to each artist and an opportunity to reflect on where we want to take our work.


My own artwork was received well from the materials I used, and I got some great new feedback from tutors who haven’t seen my work before. The tutors who know my work well also gave me some comments that have lead me to decide which route to take my work in, which I will be discussing further in another blog post, but i’m happy with my feedback and how I will be moving on from ULTRA.

Re-hanging work:

As we had the studio space for a week, it was a great opportunity to experiment with different ways to hang our work. Below are images of the ways I placed my work differently. I firstly placed my print on the window as I have printed on a clear material. I’m really pleased with how this looks, the text really comes through from the natural light and this is reminiscent of a brain scan on a light box, which i will be experimenting with for degree show.

The second image shows the movement of my work to the very centre of the wall. Before my print was placed to the right on the wall and the illustration pieces by Rebecca Smith were to the left of the wall, so both pieces were separate. A few tutors suggested that my work needs to be moved to the centre, and they also suggested that the work be closer together, so we experimented with placement and decided on the above. I believe the works in fact look better, and the show felt more cohesive because of it.

Overall, this exhibition has been a great opportunity to experiment with artworks, ideas, placement and hanging methods.

(All photo’s are my own; excluding the group photo taken by Andrew Sneddon)

ULTRA / Installation

Today we installed our exhibition; ULTRA, into the gallery space of Bloc Projects. We took around 3 hours to fully install everyone’s work and all has gone to plan.


We firstly curated the show and roughly placed each artwork in the space (above image). All the works are equally spaced out, and each piece is on it’s own and have their own space; so no one work is overpowering.

The first piece we hung was the 3 large boards to take centre space on the large wall, each wooden panel had to be drilled in each corner. We then drilled the holes in the wall and secured them with screws. This was the most difficult task in the show as it required abit of precision and attention, but we did it, and they look great.

It was then a matter of using panel pins and command strips to secure all the other pieces to walls and the floor piece to be arranged by the artist.

My print only needed 4 panel pins to secure and the use of the spirit level; it was very straight forward.

I’m really impressed with the show and us as 5 art students. In all our previous shows we have either used very basic hanging methods or help from a superior, but this was the first show where we fully installed the work ourselves and did not require help. This show is also the first time some of us have used a drill; myself included, which was daunting as silly as that sounds, but from this we have all learnt an extremely valuable skill and we are fully capable to install our own work to a high quality.

Yet again, our group of 5 artists have worked incredibly well together and produced a great show in my opinion, i’m glad we took this opportunity to display work so soon after the SIA exhibition and it has pushed us all to make new work along a strict theme; the colour blue. I believe we have proved ourselves and our capacity through this show, and we all feel more confident towards our degree show in the summer from this.



ULTRA / Exhibition Poster

On February 27th, myself and 4 other artists; Paige Howard, Cherelle Khan, Charlotte Robinson, Rebecca Smith,  will be installing artwork in BLOC projects, 4 Sylvester Street, Sheffield, S1 4RN. The artwork all has the cohesive connection of the colour blue, but all artworks will be personal to each artists and context varies throughout.

The exhibition is open for two days; March 1st & 2nd, from 12-3pm both days. This exhibition is a chance for all 5 artists to exhibit new works and we will be using the space to think and re-consider our works and also take time to think about presentation. Below is the poster for the exhibition, featuring artwork by Charlotte Robinson:


Something Blue / Preparation for ULTRA exhibition

I am part of an upcoming exhibition at Bloc projects in a few weeks, titled; ULTRA. The connective theme for this show is all the works produced by the 5 artists involved, is to be the colour blue.

It’s clear from my blog, that I rarely use colour and my normal palette is black and white, so using blue in my work was quite difficult as there is no connection to my context of mortality and fear.

From this, I decided to use this artwork and exhibition to experiment with the record idea, in the hopes that I would finally conclude whether to push my work to be reflective of brain scans or vinyl records.


I have used a mixture of dark navy blue and a lighter, more electric blue. I have used these colours from a reference image of a limited edition clear blue splattered vinyl, so the suggestion of ‘one-off’ and speciality comes through from the piece.

Vinyl record I used as a reference for my print.

I have printed on acetate, so it will look slightly shiny on a wall, but still clear – as though it is printed onto the wall, without doing so.

The finished outcome:


I have used Metallica’s song, Fade to Black, in the print, which is a song about death and one i used in my previous prints. The paint is a mixture of PVA glue and acrylic paint, to achieved a shine on the print so it would suggest a vinyl record and i’m really pleased with this combination and how it looks on the acetate, I feel this is an improvement from the paper i have used previously.

I’m still really unsure on my thoughts toward this piece, I really like how it looks and the textures but as for the context of the vinyl record, I feel a disconnect and the pieces where I am investigating the brain and thoughts are stronger compared to this.

None-the-less, I am still going to present this piece in ULTRA, and await feedback from peers and tutors, even though I am sure I will not be continuing with the vinyl record influence.